In January I flew from Italy to New York to begin my internship at ABT. When I arrived in New York it was all new and my eyes were blinking at every little thing I was looking at. It was very special to enter 890 Broadway and work for one of the most prestigious dance companies in the world. I choose to work in the Education and Training department because I firmly believe in the importance of spreading the arts in a positive and meaningful way. But also, I wanted to witness with my eyes how ABT had raised and launched so many talented dancers.
I worked for the National Training Curriculum for four months. The ABT NTC program deals mostly with ABT dance teachers’ certifications, the organization of the Teacher Training sessions, ABT affiliated dance schools and students’ examinations. During my internship, I came to work in person every day, from 10 am to 5 pm, because I really wanted to get as much as I could from people working in this office. Many days at work were made of daily tasks and administrative duties. That’s when I fully understood that is enjoyable to create educational programs but the realization of them is even more important, and that goes through a lot of daily logistics, payments, shipping, collecting and storing documents. Every Tuesday I participated in the educational department meeting on Zoom, it was very useful as it helped me to understand all the operations that happened in the department. Besides office days, I attended two teacher training sessions on Zoom. In that occasion I had the chance to meet Raymond Lukens and Franco De Vita, the creators of the curriculum. It was in those sessions that I realized the importance of NTC programs: the excellence of ABT comes from its well-structured curriculum, and on the stress put on well-prepared teachers and educators for the students! I also collaborated with the ABT NYU Master’s program in Ballet Pedagogy, participated in a meet and greet with Catherine Hurlin and attended a young donors event where I met Isabella Boylston (I couldn’t go back to Italy without meeting her). I was also an assistant for the Children’s Division Performance at Frank Sinatra, and I got the opportunity to see the Pre-Professional Division and Studio Company perform.
Something I’ll remember forever is when I observed a board meeting in Studio 6, where all the decisions are taken. I will also remember all the times when I was strolling in the hallway and peeked into dance classes to see what was going on. At 890 administrative staff, JKO students and artists share in synergy the same spaces. I really love that! Everyone at ABT is always ready to help others and to accomplish the “other duties” such as to paint point shoes, sew tutus, help with the organization of the storage room or position chairs to arrange the studios. The work at ABT is done of many little things that go beyond management or administrative duties. I came here convinced to discover all the secrets that made ABT so famous all over the world, and I think that the secret hidden at ABT is very passionate and humble people. It is clear that every person working here is very committed to work for the art we all love: ballet.
I will go back to Italy enriched as a person and professionally. Happy to have met great people, above all Molly, Saya who were my tutors, but also Liz and Yesseña that shared the space in the office and cubicles.
Thank you ABT!
Anna Cami
National Training Curriculum Intern (Education & Training)
Spring 2023